Do Ventriloquist Dummies Freak You Out?

Then you might not be surprised to learn they have a dark and scandalous past, as this post at Atlas Obscura reveals:

But ventriloquism is not a modern art—it dates back to at least the classical Greece, when it really freaked people out.

Back then, ventriloquists were called “engastrimyths”. Writes Steven Connor in his book Dumbstruck: A Cultural History of Ventriloquism, this was a mashup of “en in,gaster the stomach, and mythos word or speech.” Basically, people believed engastrimyths had demons in their stomachs who belched words from their host’s mouths. Engastrimyths plied their trade for entertainment (what could be more thrilling than demonic tummy talk?) and as divination. Pioneering ventriloquist Valentine Vox writes in his book I Can See Your Lips Moving: The History and Art of Ventriloquism that the art’s roots lie in necromancy—the ancient art of allowing a dead person’s spirit to enter the necromancer and speak to the living.

And Now, a Public Service Announcement from Rick Riordan

I really, really get it. Those movies were horrible. Even so, isn’t this a cool problem to have?

This was so good I’m reproducing it in full from Mr. Riordan’s blog:

Dear Teacher,

Hi! I am so grateful that you are teaching Greek mythology to your kids and maybe reading my books with them. I hope it goes well! If you want some lesson plan ideas I have a ton of free stuff on my website, mostly pulled from my own fifteen years as a middle school teacher.

Now a plea: Please, for the love of multiple intelligences, DON’T show those “Percy Jackson” movies (ironic quotes intentional) in your classroom for a compare-contrast lesson or, gods forbid, a “reward” at the end of your unit. No group of students deserves to be subjected to that sort of mind-numbing punishment. The movies’ educational value is exactly zero. A better use of classroom time would be . . . well, pretty much anything, including staring at the second hand of the clock for fifty minutes or having a locker clean-out day.

If you need a break and are using the movie so you can have time to grade papers, hey, I totally get that. I was a teacher for a long time! May I suggest Clash of the Titans, or the cheesy old 1960s version of Jason and the Argonauts, or heck, even the animated Hercules from Disney, as bad as it is. Those movies have plenty of things to compare and contrast with the actual Greek myths. But my heart breaks every time I hear that classroom time is being thrown away watching those vapid Percy Jackson adaptations.

Maybe the kids want to watch them on their own. Fine. Whatever. Personally, I would rather have my teeth pulled with no anesthesia, but to each his or her own. Spending class time time on those movies, though? I’ve justified a lot of things in my years as a teacher. Once I did a barbecue pit sacrifice of prayers to the Greek gods with my sixth graders. Once I taught the kids a traditional Zulu game by rolling watermelons down a hill and spearing them with broomsticks. We took fencing classes when we studied Shakespeare, reenacted the entire Epic of Gilgamesh, and, yes, we watched some pretty great movies from time to time. But I can think of zero justification for watching the adaptations of my books as part of a school curriculum. (And please, don’t call them my movies. They are in no way mine.)

Thanks for listening. I hope you have a great school year. I hope your kids get excited about reading. And I hope you’ll consider this author’s plea. The kids don’t need classroom time to learn that movies can be really, really bad. They’ll find that out on their own!

Yours truly,

Rick Riordan

Sunday Inspiration: Darkness

It’s like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger they were. And sometimes you didn’t want to know the end… because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it’s only a passing thing… this shadow. Even darkness must pass.
—Samwise Gamgee, via J. R. R. Tolkien

On Getting Combat Right

Trent Cannon (a name that has “Protagonist” written all over it!) has been discussing combat in medieval fantasy over at Fantasy Faction.

In Part One back in January, he addressed the particulars of learning to fight as well as some common-sense observations about spears and armor.

Just today he has posted Part Two, dealing with the realities of injuries, unconsciousness, and skill-versus-strength in a sword fight.

It’s all quite enlightening.

The Physics of Vampires

As it turns out, vampires need to finish feeding in under seven minutes. Some physics students at the University of Leicester did the math:

A bite to the neck and a clean getaway—that’s what a vampire needs. A group of physics students from the University of Leicester calculated exactly how long a vampire would need to accomplish those two things: about 6.4 minutes. They published their findings in the university’s Journal of Physics Special Topics.

The human body can’t function during major blood loss. After 15 percent of the blood leaves the body, the heart rate changes, and blood drinking, even from the carotid artery, becomes a process of diminishing returns. The Leicester students set out to calculate how long it would take for 15 percent of the body’s blood to make it out through a couple of holes in the neck.

Some Random Observations on “History of Magic in North America”

This past week, J. K. Rowling has sketched out a “History of Magic in North America” in four brief daily installments. As you may have heard, Native Americans have expressed disapproval at how their culture is depicted especially in the first of these snippets. (Yes, I’m quite aware Native Americans represent more than one culture; that’s part of the problem.) Others have found these essays wanting for other reasons. Though I am unwilling to call it a “travesty from start to finish,” I do believe it is a disappointing effort. Given the nature of this blog, I thought I owed it to my readers to share a few random observations on the matter.

1. J. K. Rowling Is Not the Devil

On the contrary, she strikes me as a considerate and thoughtful person. She has certainly inspired many, both through her personal story and the stories she has written for the world. My daughter is a great Harry Potter fan—as am I. I will continue to enjoy Harry Potter, and I look forward to seeing Fantastic Beasts and Where to Find them, though I will admit that “History of Magic in North America” has caused me some misgivings about how this latest project will shape up…

2. J. K. Rowling Doesn’t Seem to “Get” America

I’m sure she has visited the States on many occasions. She probably has American friends. But her account of wizarding history in North America strikes me as somewhat tone deaf. As but one example, Rowling makes Puritanism and the Salem witch trials of 1692 a benchmark for all of wizarding North America with hardly a thought to the facts that (1) other colonies had different religious sensibilities and were founded purely in the interests of economic gain and (2) England, Scotland, and other parts of Europe were undergoing their own bouts of witch hysteria in this same era.

I understand this is most likely done to set up the plot of the Fantastic Beasts movie, but it strikes me as presenting a “theme-park” version of American history. One of the things I enjoy about Harry Potter is how British wizarding culture builds upon, parallels, and even satirizes British Muggle culture. For instance, even as a non-Brit, I know a bit about “A-Levels” in the British education system and can chuckle at their corresponding wizarding “OWLs.” It looks to me like Rowling has written the history of wizarding America in such a way that these parallels are not likely to exist, which is likely to diminish my enjoyment of Fantastic Beasts.

3. America’s History of Racial Violence Should Be Handled with Great Care

I’m not going to say Native American beliefs and folklore concerning magic, fantastic beasts, and so forth are off limits for fantasy writers. Nor, for that matter, should be the mythology of West Africans brought to North America as slaves. To be honest, leaving these elements out strikes me as more colonialistic than including them. Writing off black, Native American, or other non-white contributions to American life and culture leaves a story at best only half-told.

The challenge, especially for someone of European descent (something Ms. Rowling and I have in common), is to listen to these other cultures and go the second mile in attempting to depict them with dignity and integrity. Lumping all Native Americans together in one monolithic culture doesn’t do that. Neither do references to Native American medicine men as charlatans who only “fake” having supernatural powers. Nor do comments about Native Americans excelling at animal and plant-based magic, especially when paired with the observation that Europeans introduced the wand to North America. To me, this sounds like Native American wizards have plenty of raw power, but need the refinement and sophistication provided by European wand technology. I hope I don’t have to go into why that leaves a bad taste in my mouth.

4. Fanfic Might Have Fixed Some of This

Disclaimer #1: At least 90% of all fan fiction is crap.

Disclaimer #2: I have written my fair share of Harry Potter fan fiction.

But here’s the thing. Lots of Americans  have wanted an American version of Harry Potter’s wizarding world for years, and some of them have wanted it enough to write their own. There is even a community at fanfiction.net for Potter stories set in America. Some of these spin out entirely new characters and settings in a world that is clearly the same as the one inhabited by Harry, Ron, Hermione, and the rest. Some of them send familiar characters across the Atlantic for new adventures in the States.

What makes even bad America in the Potterverse fanfic worthwhile is that it is all written by Americans. This means that even unimaginative, half-cocked stories depict an authentically American vision of what Magic in North America might be like.

I’m not saying Ms. Rowling should have done her research at fanfiction.net! (Heaven forfend!) I am suggesting, however, that it would not have been too difficult for her to have found some thoughtful American fans to take “History of Magic in North America” for a test drive and point out aspects that didn’t quite ring true.

Lamiak and Mairuak: the Fair Folk of the Basque Country

LaminaThe lamia (plural lamiak) is a nymph-like being of the Basque country of northern Spain. They are associated with rivers and caves. Though their origin is within the Basque culture, but they are found in other parts of northern Spain. For example, they are similar in several ways to the mouras encantadas of neighboring Galicia. They are very beautiful and usually have long hair, which they love to comb with golden combs. Like the damas de agua of central Spain, lamiak often have animalistic traits: most often, webbed feet like a duck.

In Navarra and the Basque country, the term lamia is also commonly used for a sea nymph or mermaid. At the same time, some lamiak function as domestic spirits, helping those who leave them offerings with farm or household chores.

The masculine counterpart of the lamia is the mairu (plural mairuak). They are often described either as giants or as human sized but possessing immense strength. In this, they are comparable to the spriggans of Cornwall. It is said that mairuak built the dolmens of the Basque region. Their wives and sisters are also noted builders, as certain bridges in the Basque country were reputedly built by lamiak.

Other forms of lamia include lamina and amilamia. Other forms of mairu include maire, maide, and mainde.